The album showcases a collection of works written by the choir’s precentor, Matthew Martin between 2004 and 2022, which includes some world premiere recordings. From simple mass and motet settings to more complex festival anthems and canticles, the music is broadly and unabashedly composed as an extension to a familiar twentieth-century English idiom, his varied style traversing both the Anglican and Catholic traditions with hints of less familiar European chant and polyphony. This is music choirs will wholeheartedly add to their repertoire.